Cinematic Gardens and the Subconscious: Nature, Symbolism, and the Psyche on Film
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Throughout the history of cinema, gardens, parks, courtyards, and other green spaces have been far more than mere backdrops or locations. They have served as places where desires, anxieties, and fantasies are expressed, and where meaning is sought—whether in tranquil sanctuaries or in labyrinths shrouded in mystery. At the same time, these spaces showcase nature shaped and cultivated by human intervention alongside areas left wild and untamed, thus highlighting the tension between order and chaos.
Whether it’s the walled garden in The Secret Garden (1993) reflecting grief and self-discovery, the suburban lawns in Broken Flowers (2005) signaling social status, the ornate château grounds in Last Year at Marienbad (1961) twisting time and memory, the colonial plots in The New World (2005) exposing power structures between settlers and Indigenous people, or the Japanese garden in Kill Bill (2003) becoming a stylized battleground—gardens in cinema have always mirrored deeper social realities or emotional states, serving as windows into the subconscious.
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LUGA Lab
16 Rue Vauban
2663 Pafendall Luxembourg
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