Francis Bacon – Carcasses in Power
A major artist of the 20th century, Francis Bacon (1909–1992) developed a radical body of work focused on representing the body in crisis. This conference offers an interpretation of his work through the concepts of corporality, monstrosity, hybridity, and the non-human, based on three paintings presented at the exhibition Dimanche sans fin: Trois personnages dans une pièce (1964), Autoportrait (1972), and Étude pour Michel Leiris (1978), depicting bodies under tension, coming apart and recomposing into a magma of indefinite flesh at the border between human and animal.
Good to know
Conference related to the Dimanche sans fin exhibition.
Discussed works: Trois personnages dans une pièce (1964), Autoportrait (1972), Étude pour Michel Leiris (1978).
Automatically translated from French.
Where does it take place?
Centre Pompidou-Metz
1 Parv. des Droits de l'Homme
57000 Metz
France
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